Wizard of Oz

Wizard of Oz.

In 1939 America, the Depression was over and World War II had not yet begun, even though things were getting grim in Europe. Science and technology were beginning to bring monumental changes to American life, in everything from mass-produced automobiles to aviation, home appliances, and factories. "Modern Times," the classic Charlie Chaplin film that explores the fear of technological innovation and its impact on human lives, had been made only three years earlier, in 1936.

The title of this film is particularly interesting when you realize that "Wizard" was the most common mythic image of scientists at the time the film was made. Indeed, Thomas Edison (who had died in 1931), was popularly known as "The Wizard of Menlo Park." Inventions like electric lights and phonographs seemed so magical to the public that they saw their inventor as something of a genuine magician who could simply create wonders other humans couldn't even imagine. These wonders, in turn, changed people's daily lives: extending hours of work and play long past dark, for example, and bringing the music of symphony orchestras to people in rural areas who had heard only parlor pianos. So the audience of the times was prepared for someone called "The Wizard of Oz" to be a genius scientist and inventor. They would have been expecting to hear that particular mythic story.

Instead, The Wizard of Oz turns out to be a complete charlatan. His apparent power is all the carefully crafted product of smoke and mirrors, and he can do nothing to help Dorothy or her friends. His sole contribution to a satisfactory resolution to things is to point out the truths Dorothy and the others couldn't see before. He simply makes things official that were there all along. He doesn't even manage to get Dorothy home in his magnificent balloon; she is left behind by accident.

This suggests that the film "The Wizard of Oz" is about the essential falseness of scientific and technological wonders being palmed off on a gullible public, and about the persistent and real power of ancient mysteries and magic. The real power in the story, from start to finish, is in the hands of the good and bad witches, who are quite open about using magic. They're doing things "the old-fashioned way" and it works. The wicked witch is a formidable foe who nearly destroys Dorothy, and it is the Good Witch of the North's magic that helps Dorothy finally get home. Notice that this image of Science and of Scientific Progress as ineffectual and even fraudulent is directly contrary to the image presented in "Twister" and "Oklahoma."

However, the tornado in "The Wizard of Oz" symbolizes the same thing it did in the other films: dangerous Nature. The producers went to what were extraordinarily expensive lengths for that time to create a realistic tornado special effect, and it is a terrifying image in the film. It not only nearly kills Dorothy but lifts her house off the ground and takes her so far from home that she fears she may never get back. It is trying to save herself from what the tornado has done to her that causes Dorothy to seek out the Wizard to begin with; just like the people in "Twister," she looks to Science to protect her from dangerous Nature. She expects, just as the audience does, that the Wizard will in fact save her because our culture holds as True the mythic story "Science Protects Humans from Dangerous Nature."

The brilliance of "The Wizard of Oz" is that it tells this mythic story "specificially to challenge its Truth," and so it pulls the rug out from under the audiences' feet at the last moment, saying, "No Science does NOT save us from Nature." It is in part the power of the paradigm shift caused by its unexpected ending that has made "The Wizard of Oz" a classic film for so many years.

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